The Sardine collection by Bordallo Pinheiro results from a collaboration between the Earthenware Factory of Caldas da Rainha, founded in 1884 by Raphael Bordallo Pinheiro, EGEAC (Lisbon’s Cultural and Animation municipal entity). And Lisbon’s City Council.
The original Bordallo Pinheiro’s Sardine, designed in the XIX century, due to its classic three-dimensional nature, became the ideal support for receiving the creative work that EGEAC develops since 2003, within Lisbon’s Festivities, which transformed the sardine, iconic fish of Portuguese culture and gastronomy, an international icon of the city and of Summer celebrations of the Portuguese capital.
In the year of the 50th anniversary of the Beatles’ album “Yellow Submarine”, it is only fair to pay tribute to it, using our greatest icon, which is also yellow: the electric streetcar number 28. More and more a symbol of how Lisbon has become a world city. Only these two made me like yellow!
Designer: Alexandra Mendes
Carminho creates a sardine inspired by her family history and culture. A curation of Fado women who were present in her training, but also some of the most relevant in Fado history. These are ten women who have already left but who have left behind an incalculable legacy and cultural heritage.
Front: Hermínia Silva, Berta Cardoso, Maria Teresa de Noronha, Lucília do Carmo, Amália Rodrigues
Back: Celeste Rodrigues, Argentina Santos, Maria José da Guia, Beatriz da Conceição, Ana Rosmaninho
The winning illustration of a Bordallo Pinheiro leisure campaign during the quarantine period has now been converted into a member of the “Sardine by Bordallo Pinheiro” family. All proceeds from its sale will revert to the SNS (Portuguese healthcare system), by purchasing the most essential equipment. A contribution from the brand to the well-being of all, in this difficult phase we are currently living through.
Designer: Andreia Baltazar
The most traditional streets of Lisbon are home to the typical songs of nostalgia, disaffection and destiny. From Alfama to Mouraria, from Madragoa to Graça, Fado is felt in the voice of professionals or amateurs, but always, always with the same Portuguese soul. This sardine also wanted to take the microphone, and be known as Camané.
The little blue one, so desirable, that one day swallows the fishing boat and the seagulls that hunt it. The sea, the wall of this blue fish.
Designer: Ana Mesquita
Like the sardine, we should be in schools, because we are stronger together,” says César Mourão. The actor and the illustrator Gião designed, produced and embarked (literally) on this sardine, rowing to get it moving and to take it to its destination: the public.
Designer: Cesar Mourão
A new phenomenon has taken place at Entroncamento, this time from the water world! A sardine was mysteriously seen running on the train tracks of this town of crossroads. Its origin is not yet known, but it is thought that its fantastic and ingenious appearance is due to the influence of the trains that it saw passing when bathing in the waters of the Tagus. They're out there...
Designer: Ana Sofia Gonçalves
The snicker walks and dances through the streets of Lisbon, but also warns the world of the environmental impact of various industries. The transformation of the sardine into a shoe represents the destruction of nature by man's influence. So that we don't end up eating our own shoes, let's help the sardine and spread the message.
Designer: Cesar Bettencourt
Winner of the acclaimed Lisbon contest “Chintz Dress" (being the only candidate in the contest), the graceful, garish Lisboeta sardine features a model inspired in the 50's, in Pombaline chintz, set off by an English embroidery ribbon. And as the Fado says: “There goes fancy/ Everyday more beautiful/ And her chintz dress/ Always has a Sunday look”. Reminds us of Raquel Tavares, doesn't it?
Designer: Raquel Tavares
There's a world full of species in the ocean, one of them being the sardine. And what a beautiful specimen it is. Combining drawing, poetry and environmental awareness, this creation pays homage to the ocean, the harmony of life at sea, and the character of the sardine, showing how it would be at the peak of its life, dancing freely through the seas.
Designer: Margarida Moreira
The sweetest little Lisboeta of all has a secret that's well kept. The one of the thin and crispy dough and the one of the velvety cream, perfumed with cinnamon to taste. Daughter of the Nata and of Lisbon, we introduce you to “Natali”: the crème de la crème of Lisbon.
Designer: António Antunes
This Sardine mounted masts and sails and decided to go even further and with more steam, like the Portuguese ship “Sagres”! The sea is her vocation, but the house that welcomes her is her destiny.
Designer: Salvatore Seidita
This sardine wanted to “change its life” and dress up as the man who said “I'm going to be a singer” and who became much more than that. It left at the crack of dawn of Saint António and became Saint António das Variações on its own. With his barber's scissors, the slippers for going out into the street and Saint Teresinha to protect him from harm, he sang... “Adeus que me vou embora” [“Goodbye I'm going away”], taken to the heavens by the limelight.
Designer: Ricardo Almeida
My name is Douglas DC-3, but I prefer to be called Dakota. I'm a classic of aviation, twin-engine, propeller driven. I was a pioneer at TAP and from the 1940s I connected Lisbon to Angola and Mozambique transporting passengers in comfort and safety. I am currently in the Air Museum. In the form of a sardine, I now honor the 75 years of the Portuguese airlines. Congratulations!
Happy and adventurous, since she was a little girl she dreamed of seeing the world. She was told, “You always have your head in the clouds,” but she knew what she wanted. Today, she flies to several continents, welcoming passengers from all over the world with a smile on her lips: “Welcome on board!” This sardine pays homage to all professionals in civil aviation and also to 75 years of TAP. Congratulations!
This sardine that is always partying, as its name indicates, invokes special and fun occasions that merge with the spirit of the celebrations in Lisbon. Surrealistic in nature, it is dressed in mahogany wood and wears a metal mask. It is known for being a great wine lover, which makes it a must at any Portuguese table.
Designer: Carla Freire
Different scraps of cloth have been brought together, in the best “patchwork” style and, after a careful transformation at Bordallo Pinheiro; they have been turned into a ceramic quilted-sardine, ready to decorate and to make any corner of your home a bit more cozy.
Designer: Ana Araújo
All that matters is feeling Fado. Because Fado doesn't sing, it happens. Fado feels, it doesn't understand, it doesn't explain. 2020 marks 100 years since the birth of the greatest figure in Portuguese Fado, and one of the greatest voices the world has ever known. And what a voice! Congratulations Amália!
Designer: Ana Gomes
Now here's a real movie star! In this year when the 125th anniversary of the first session of that filmmaker in Paris is being celebrated, this most famous sardine evokes the magic that celluloid film lets project. Cinema is celebrated with icons, with popcorn and with Hollywood.
Designer: Mário Augusto
This sardine wished to pay homage to the old school “battery radio”, so typical of Lisbon's neighborhoods, where through the windows one could hear, on a short-wave radio, the radio soap opera, Fado and football reports, which gave so many joys and sorrows to the people who listened to them. You did it!
Designer: Luís Barata
The combination of two flavors immediately associated with Portugal. One of them is the sardine (present in multiple national festivities, such as those honoring Popular Saints) and another iconic flavor: that of childhood chocolates, bought in corner shops and displayed in punch hole boxes.
Designer: Maria Beatriz Soares
Pili was Raphael Bordallo Pinheiro’s cat, who like her companion Pires, used to live in the old factory grounds. An enchanting place in Caldas da Rainha. She lived happily with the affection of Master Bordallo, amidst gardens decorated with tiles and other faïences.
Virgínia vivia feliz, treinando saltos cada vez maiores no lago do jardim da Fábrica. Por vezes aventurava-se e ia para o lago gigante do Parque D. Carlos I, que ficava perto. O Mestre gostava tanto de trabalhar ao som do seu coaxar, que a identificou como a personagem da fábula de Esopo. Identificou-lhe o companheiro, o Paulo, e materializou-os em cerâmica num grupo escultórico gigante.
Designer: Raphael Bordallo Pinheiro
“Sardabisco”, or sketchy sardine, is the mix of a sardine and a sketch.
Designer: Nuno Markl
Sardinha appeared naked at the hospital, saying she needed new clothes.
All the children created several outfits and had so much fun, they even forgot
that they were in the hospital. They were happy to design Sardinha’s new closet.
“I love drawing flowers, so I dressed up sardine with a big flower.”
Designer: Chualgarve - Pediatria Unidade Portimão
The Clérigos tower, the most beautiful and tallest bell tower, is one of the ex-libris
of the city of Porto. From the top of its 75 meters, after an athletic climb of 225
steps, visitors can enjoy a breathtaking panoramic view over the city.
Designer: Ana Sofia Gonçalves
Inspired by the graphic motifs that the Indians use on their bodies, blending with
the wefts of the straw they produce.
Designer: Chicô Gouvêa
2020 - The year seen through the window.
Designer: Toia Lemann
Pili was Rafael Bordallo Pinheiro’s cat, who like her companion Pires, used to
live in the old factory grounds. An enchanting place in Caldas da Rainha. She
lived happily with the affection of Master Bordallo, amidst gardens decorated
with tiles and other faïences.
Designer: Raphael Bordallo Pinheiro
Sorry I had to be the one to break the news, but it was never the storks that
brought babies home. Deal with it.
The special coexistence between men and dogs for thousands of years has extended the concept of family. So, if we can often see humans mourning the death of dogs, let us not be surprised to see dogs mourning the death of men.
Designer: World Press Cartoon
It is difficult to think of Portugal without associating it with the sea. It is an extension of Portugal, of our existence and history. It is where everything begins and ends, but it also gives haven to tranquility and to imagining of the future which contrasts with the force of the ocean that embraces us, that motivates us to build bridges, to break the restlessness of the present and to look forward to the dawn. A beautiful tribute of Mariza.
In the time when fishmongers sold what they carried in their baskets, surely everything was valued and in sustainable quantities. The product was always covered with a beautiful cloth of Portuguese embroidery! Long live local tradition!
Designer: Raquel Marto
Let's go, people! One more ride on the Sardine Carousel! This represents the essence of the fun of countless hours spent at fairs and on carousels, these unique and outlandish machines that have the particularity of turning even the grumpiest of adults into cheeky and lively children.
Designer: Daniel Souto
Virgínia lived happily, practicing taking bigger and bigger jumps in the lake
of the factory’s garden. Sometimes she ventured to the giant lake in the nearby
D. Carlos I Park. The Master liked the sound of her croaking so much that he
identified her as the character from Aesop’s fable. He identified her companion,
Paulo, and materialized them in ceramics in a giant sculptural group.
Designer: Raphael Bordallo Pinheiro
This one is for hard times. Crossing oceans in the form of affection. Even when
all roads seem torturous. Find in it a long sigh of love!
Designer: Rita Wainer