The Sardine collection by Bordallo Pinheiro results from a collaboration between the Earthenware Factory of Caldas da Rainha, founded in 1884 by Raphael Bordallo Pinheiro, and EGEAC/Municipality of Lisbon.
The original Bordallo Pinheiro’s Sardine, due to its classic three-dimensional nature, became the ideal support for receiving the creative work that the “Festas de Lisboa/EGEAC” (Lisbon Festivities) have been developing since 2003, which granted the Sardine the status of icon of the city.
In 2015 the collection comprises 40 sardines: 25 from the EGEAC estate, 14 by Portuguese and foreign guest artists and the original one. One of them is a numbered edition of 75 examples! The composition of the Sardine by Bordallo Pinheiro is reviewed annually, with the introduction of new illustrations and the discontinuation of others.
Each year will thus be an unique opportunity to purchase some of these models.
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Width: 40 mm
Length: 185 mm
Height: 25 mm
“O Grande Cão da Finança” (the Big Dog of Finance) was on the cover of the magazine “A Paródia “, in 1900, and it caricatures the finances wearing the collar of the deficit. “No matter how many cakes they gave it; the damn dog won’t die!”. It is the result of the despair that Raphael Bordallo Pinheiro begins to feel in the face of political manipulation and opportunism, raising the awareness of the society at the time. Never goes out of style.
Designer: Raphael Bordallo Pinheiro
If there is something that characterizes Lisbon Festivities, it is the bailaricos (popular dancing)! And why not add our sardine to the dance? But because the confusion is too great and stepping is a constant, it’s not simple dress for this occasion. It’s important to have the right footwear to dance!
The popular saying “He who laughs last, laughs best” was the starting point of this sardine. Sometimes the “last” one is the one who becomes the winner and ends up flying higher. “Bando” may go alone or in a group, but goes further for sure.
Designer: Ana Catarina Pinto
A sardine that reflects the contagious joy of the Popular Saints’ festivities, inspired by the work of Andy Warhol, who used bright and diverse colours to represent the impersonality of objects and celebrities, bringing art closer to everyday life. Portuguese tradition is pop too.
Designer: Arianne Amores
Miss Castelinhos” is based on the film “A Canção de Lisboa” [The Song of Lisbon], from 1933, and its main character, Alice, played by Beatriz Costa. All the details (thimble, pins and embroidery) portray the occupation of the character, a seamstress from the Castelinhos Neighbourhood. A Miss Sardine.
Designer: Lia Cardoso e Luiz Miguel Pedroso
Created in the Faculty of Industrial Design, at a university in Brazil, the sardine fled and disguised herself with a lost skin, to cross the tropical forest, heading towards the sea. A sardine on the run, camouflaged. But what an unexpected look!
Designer: Luíz Felipe Ziul
The sardine is always with us. Not only does it fulfil us, but it also presents us with the beautiful sounds of the sea and of the soul of Lisbon. What you can hear in the song of the sardines is endless. Let this magical music break free within you.
Designer: Olga Shtonda
It’s called “Freedom” because it was inspired by the Carnation Revolution. The character of Salgueiro Maia, emblematic character of the 25th of April, was used as the basis for representing this member of the armed forces. Red carnation Sardine, symbol of the peaceful revolution.
Designer: Patrícia Cardoso
We can call it a tribute to the Sanctuary of Fatima, which annually welcomes pilgrims from all over the world, on a pilgrimage to express their faith and belief in the place of the apparition of Our Lady to the three Shepherd children: Francisco, Jacinta and Lúcia. A holy sardine!
Designer: Patrícia Pereira
“Vader” sardine would like to be a master of the force over the mind. Fan of one of the most charismatic characters of science fiction, whenever it can, it wears its disguise to fight against barbecues, sardine parties and other parties where it always ends up in corn bread... or on a plate! A sardine which wields the dark side of the force!
Designer: Ana Gomes
The “Cacilheira” [Ferryboat] decided to recreate the connection between the two banks of the river Tagus. A whirlwind of going back and forth, on her trips to Trafaria to go to the beach, or in the daily rhythm to go to work between the port of Cacilhas and Cais do Sodré. That’s quite a river!
Designer: Ana Sofia Gonçalves
The sardine “Eléctrica 28” wanted to make the most charismatic route of Lisbon and convey the experiences of its inhabitants. But not only them, because nowadays there are more tourists than locals. From Estrela to Graça, including the Basílica da Estrela, the Chiado, the Sé, the viewpoints over the river Tagus and the Feira da Ladra, this sardine does not stop. It’s really electric!
Designer: Ana Sofia Gonçalves