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Product type : Bordallo Pinheiro
Length: 185 mm
It was just an anonymous and pale Sardine. It sought colour and participated
in the “Festas de Lisboa” (Lisbon Festivities). As the event’s icon, it deserved a
monumental illustration. So, I tried to create a symbiosis between the sardine
and the Santa Justa Elevator. The Santa Justa Sardine, once anonymous and
pale, now parades in colour and tradition.
Designer: Frederico Lencastre
The first Sardine was not a laboratory experiment. She didn’t come out ‘all
nice and lively’ from some advertising think tank. She jumped from the fish
auction onto the scanner and turned into a serious case of communication
by an editorial design studio, Silvadesigners. Lisbon offers her the honours
of a city trademark and people painting her every year by the thousands.
Designer: Silvadesigners
The Tagus Sardine has the best view of Lisbon. From the river she sees the people,
the roofs and the Castle; she sees the bridge and the boats, and the departures and
returns that make the city live. She is a lucky Sardine – and, as Amália used to say,
She has water, she knows how to swim / I wish I were a sardine.
Designer: Sofia Fischer
The Tenório Sardine is a true portent of the Portuguese guitar. Known in the
most exclusive world of Fado for being a bon vivant, irresistibly seductive
and a confessed lover of the nightlife and “escabeche” (pickle), Tenório
oozes charm through all of his scales. And no gilt-head bream, mullet or ray
can resist his charms.
Designer: Paulo Galindro
Because it is of the Portuguese, father of broad seas, to want, to be able to
simply:be nothing. And be someone in a sea of people. Be a person. Flood.
Dry out. Cry. Float. Come up and dive in again. Be fished. Be gutted and
survive: the whole sea, or the empty destroyed waterfront – The whole, or its
nothing (In D. João Infante de Portugal, Message, Fernando Pessoa).
Designer: Maria Miguel
The High Tide Sardine is an allusion to deep sea fishing, symbolizing
both the lull and the storm that diminishes us. The whole of the sea
inside of a sardine.
Designer: Filipa Oliveira
“O Grande Cão da Finança” (the Big Dog of Finance) was on the cover of the magazine “A Paródia “, in 1900, and it caricatures the finances wearing the collar of the deficit. “No matter how many cakes they gave it; the damn dog won’t die!”. It is the result of the despair that Raphael Bordallo Pinheiro begins to feel in the face of political manipulation and opportunism, raising the awareness of the society at the time. Never goes out of style.
Designer: Raphael Bordallo Pinheiro
If there is something that characterizes Lisbon Festivities, it is the bailaricos (popular dancing)! And why not add our sardine to the dance? But because the confusion is too great and stepping is a constant, it’s not simple dress for this occasion. It’s important to have the right footwear to dance!
Designer: Ana.F.Borges
The popular saying “He who laughs last, laughs best” was the starting point of this sardine. Sometimes the “last” one is the one who becomes the winner and ends up flying higher. “Bando” may go alone or in a group, but goes further for sure.
Designer: Ana Catarina Pinto
A sardine that reflects the contagious joy of the Popular Saints’ festivities, inspired by the work of Andy Warhol, who used bright and diverse colours to represent the impersonality of objects and celebrities, bringing art closer to everyday life. Portuguese tradition is pop too.
Designer: Arianne Amores
Miss Castelinhos” is based on the film “A Canção de Lisboa” [The Song of Lisbon], from 1933, and its main character, Alice, played by Beatriz Costa. All the details (thimble, pins and embroidery) portray the occupation of the character, a seamstress from the Castelinhos Neighbourhood. A Miss Sardine.
Designer: Lia Cardoso e Luiz Miguel Pedroso
Created in the Faculty of Industrial Design, at a university in Brazil, the sardine fled and disguised herself with a lost skin, to cross the tropical forest, heading towards the sea. A sardine on the run, camouflaged. But what an unexpected look!
Designer: Luíz Felipe Ziul
The sardine is always with us. Not only does it fulfil us, but it also presents us with the beautiful sounds of the sea and of the soul of Lisbon. What you can hear in the song of the sardines is endless. Let this magical music break free within you.
Designer: Olga Shtonda
It’s called “Freedom” because it was inspired by the Carnation Revolution. The character of Salgueiro Maia, emblematic character of the 25th of April, was used as the basis for representing this member of the armed forces. Red carnation Sardine, symbol of the peaceful revolution.
Designer: Patrícia Cardoso
We can call it a tribute to the Sanctuary of Fatima, which annually welcomes pilgrims from all over the world, on a pilgrimage to express their faith and belief in the place of the apparition of Our Lady to the three Shepherd children: Francisco, Jacinta and Lúcia. A holy sardine!
Designer: Patrícia Pereira
The “Cacilheira” [Ferryboat] decided to recreate the connection between the two banks of the river Tagus. A whirlwind of going back and forth, on her trips to Trafaria to go to the beach, or in the daily rhythm to go to work between the port of Cacilhas and Cais do Sodré. That’s quite a river!
Designer: Ana Sofia Gonçalves
The sardine “Eléctrica 28” wanted to make the most charismatic route of Lisbon and convey the experiences of its inhabitants. But not only them, because nowadays there are more tourists than locals. From Estrela to Graça, including the Basílica da Estrela, the Chiado, the Sé, the viewpoints over the river Tagus and the Feira da Ladra, this sardine does not stop. It’s really electric!
Designer: Ana Sofia Gonçalves