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A gaze at such a Portuguese way of feeling. The true meaning of “saudade”, so well translated by the words and sounds in the voice of this artist, who belongs to us as much as the sardine. Ours and the world’s. And about her [as one fado says] “the walls will confess nothing”... Designer: Nuno Miguel Martins

Can a sardine surf? It is so fresh and knows how to jump, to master the bottom turn, the off-the-lip and the float. It performs everything to get the perfect wave. But then the sea calms down and feels like resting. Our sardine loves to sunbathe! Designer: Tomás dos Reis

“A Galinha Choca da Economia” (The broody hen of Economics) was the cover of the magazine “A Paródia” in 1900, where Raphael Bordallo Pinheiro expressed his discontent towards the political life of the country and decided to caricature the different aspects of Portugal’s social and economic reality at that time …. Or is it nowadays? Designer: Raphael Bordallo Pinheiro

The sardine “Eléctrica 28” wanted to make the most charismatic route of Lisbon and convey the experiences of its inhabitants. But not only them, because nowadays there are more tourists than locals. From Estrela to Graça, including the Basílica da Estrela, the Chiado, the Sé, the viewpoints over the river Tagus and the Feira da Ladra, this sardine does not stop. It’s really electric! Designer: Ana Sofia Gonçalves

“O Grande Cão da Finança” (the Big Dog of Finance) was on the cover of the magazine “A Paródia “, in 1900, and it caricatures the finances wearing the collar of the deficit. “No matter how many cakes they gave it; the damn dog won’t die!”. It is the result of the despair that Raphael Bordallo Pinheiro begins to feel in the face of political manipulation and opportunism, raising the awareness of the society at the time. Never goes out of style. Designer: Raphael Bordallo Pinheiro

It’s called “Freedom” because it was inspired by the Carnation Revolution. The character of Salgueiro Maia, emblematic character of the 25th of April, was used as the basis for representing this member of the armed forces. Red carnation Sardine, symbol of the peaceful revolution. Designer: Patrícia Cardoso

We can call it a tribute to the Sanctuary of Fatima, which annually welcomes pilgrims from all over the world, on a pilgrimage to express their faith and belief in the place of the apparition of Our Lady to the three Shepherd children: Francisco, Jacinta and Lúcia. A holy sardine! Designer: Patrícia Pereira

The High Tide Sardine is an allusion to deep sea fishing, symbolizing both the lull and the storm that diminishes us. The whole of the sea inside of a sardine. Designer: Filipa Oliveira

Sardine! The Queen! To promote the Sardine to Queen, giving her power and sovereignty, was one of the goals. Of hearts, because the heart is symbolically associated with love; in this case, for a city that smells of basil and is kissed by the Tagus.

It was just an anonymous and pale Sardine. It sought colour and participated in the “Festas de Lisboa” (Lisbon Festivities). As the event’s icon, it deserved a monumental illustration. So, I tried to create a symbiosis between the sardine and the Santa Justa Elevator. The Santa Justa Sardine, once anonymous and pale, now parades in colour and tradition. Designer: Frederico Lencastre

The Tagus Sardine has the best view of Lisbon. From the river she sees the people, the roofs and the Castle; she sees the bridge and the boats, and the departures and returns that make the city live. She is a lucky Sardine – and, as Amália used to say, She has water, she knows how to swim / I wish I were a sardine. Designer: Sofia Fischer

The Tenório Sardine is a true portent of the Portuguese guitar. Known in the most exclusive world of Fado for being a bon vivant, irresistibly seductive and a confessed lover of the nightlife and “escabeche” (pickle), Tenório oozes charm through all of his scales. And no gilt-head bream, mullet or ray can resist his charms. Designer: Paulo Galindro