Copies of the vast legacy of Raphael Bordallo Pinheiro and his son, Manuel Gustavo Bordallo Pinheiro, until 1920, currently produced by the hands of the Factory’s craftsmen, using centuries-old techniques.
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Paulo e Virgínia is a replica, on a smaller scale, of the pair of giant frogs created by Raphael Bordallo Pinheiro in 1889 and intended to decorate lakes and gardens.
Tradition says that in the factory, Bordallo named these two characters Paulo and Virgínia, inspired by the novel Paul et Virginie, by Bernardin de Saint-Pierre, written in 1787. This sculptural group decorated the D. Carlos I Park, in Caldas da Rainha, from 1914 to 1920, as can be seen in postcards of the time, and was present in the Portuguese Pavilion of the 1889 Universal Exhibition of Paris.
The frog couple was exhibited by Raphael as one of the main pieces of his exhibition in Rio de Janeiro in 1899, as he presented his majestic Beethoven Jar in Brazil.
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Product type : Bordallo Pinheiro - Arte Bordallo (Art)
In 1896, Raphael Bordallo Pinheiro registers the patent of its ceramic swallows probably realizing that it could become a true Portuguese symbol.
He wasn’t wrong, the artist’s flights of swallows started inhabiting houses, in Portugal and in several countries where Portuguese people lived (easy to identify by the swallows).
In 1896, Raphael Bordallo Pinheiro registers the patent of its ceramic swallows probably realizing that it could become a true Portuguese symbol.
He wasn’t wrong, the artist’s flights of swallows started inhabiting houses, in Portugal and in several countries where Portuguese people lived (easy to identify by the swallows).
In 1896, Raphael Bordallo Pinheiro registers the patent of its ceramic swallows probably realizing that it could become a true Portuguese symbol.
He wasn’t wrong, the artist’s flights of swallows started inhabiting houses, in Portugal and in several countries where Portuguese people lived (easy to identify by the swallows).
Raphael Bordallo Pinheiro produces a remarkable production of blue tiles for the interior and exterior coating treated as decorative elements of great importance.
Of the tiles with relief, either with patterns or figures, it is important to highlight the originality and quality of the glazes applied manually.
The blue tile of the big frog is a representation of naturalism and Art Nouveau by Raphael Bordallo Pinheiro.
A zoomorphic shaped pitcher by Raphael Bordallo Pinheiro, with a naturalist painting.
Raphael Bordallo Pinheiro produces a remarkable production of blue tiles for the interior and exterior coating treated as decorative elements of great importance.
Of the tiles with relief, either with patterns or figures, it is important to highlight the originality and quality of the glazes applied manually. This grasshopper tile is a representation of the naturalism by Raphael Bordallo Pinheiro, with an Art Nouveau inspiration, being most recently used as a box lid.
Raphael Bordallo Pinheiro produces a remarkable production of blue tiles for the interior and exterior coating treated as decorative elements of great importance. Of the tiles with relief, either with patterns or figures, it is important to highlight the originality and quality of the glazes applied manually. The blue tile of the big frog (1884 – 1905) is a representation of naturalism and Art Nouveau by Raphael Bordallo Pinheiro, being most recently used as a box lid.
A giant wall leaf.
This is a model by Raphael Bordallo Pinheiro, witnessing the naturalist representation of the artist’s ceramic.
Raphael Bordallo Pinheiro worshiped cats. He, in a comic strip in the newspaper "Antonio Maria", confesses to being "cat in a previous life".
His cats were well known in his cartoons and in his ceramic pieces, maybe because cats are frequently scratching, an attitude very similar to his cartoons’ political satire.
A piece by Manuel Gustavo Bordallo Pinheiro, who continued his father’s, Raphael Bordallo Pinheiro, work, using naturalist elements in a more stylized decoration.
A piece by Manuel Gustavo Bordallo Pinheiro, who continued his father’s, Raphael Bordallo Pinheiro, work, using a lizard as a naturalist element in a more stylized decoration.