Copies of the vast legacy of Raphael Bordallo Pinheiro and his son, Manuel Gustavo Bordallo Pinheiro, until 1920, currently produced by the hands of the Factory’s craftsmen, using centuries-old techniques.
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Paulo e Virgínia is a replica, on a smaller scale, of the pair of giant frogs created by Raphael Bordallo Pinheiro in 1889 and intended to decorate lakes and gardens.
Tradition says that in the factory, Bordallo named these two characters Paulo and Virgínia, inspired by the novel Paul et Virginie, by Bernardin de Saint-Pierre, written in 1787. This sculptural group decorated the D. Carlos I Park, in Caldas da Rainha, from 1914 to 1920, as can be seen in postcards of the time, and was present in the Portuguese Pavilion of the 1889 Universal Exhibition of Paris.
The frog couple was exhibited by Raphael as one of the main pieces of his exhibition in Rio de Janeiro in 1899, as he presented his majestic Beethoven Jar in Brazil.
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Product type : Earthenware
In 1896, Raphael Bordallo Pinheiro registers the patent of its ceramic swallows probably realizing that it could become a true Portuguese symbol.
He wasn’t wrong, the artist’s flights of swallows started inhabiting houses, in Portugal and in several countries where Portuguese people lived (easy to identify by the swallows).
In 1896, Raphael Bordallo Pinheiro registers the patent of its ceramic swallows probably realizing that it could become a true Portuguese symbol.
He wasn’t wrong, the artist’s flights of swallows started inhabiting houses, in Portugal and in several countries where Portuguese people lived (easy to identify by the swallows).
In 1896, Raphael Bordallo Pinheiro registers the patent of its ceramic swallows probably realizing that it could become a true Portuguese symbol.
He wasn’t wrong, the artist’s flights of swallows started inhabiting houses, in Portugal and in several countries where Portuguese people lived (easy to identify by the swallows).
Raphael Bordallo Pinheiro produces a remarkable production of blue tiles for the interior and exterior coating treated as decorative elements of great importance.
Of the tiles with relief, either with patterns or figures, it is important to highlight the originality and quality of the glazes applied manually. This grasshopper tile is a representation of the naturalism by Raphael Bordallo Pinheiro, with an Art Nouveau inspiration, being most recently used as a box lid.
Figurine with movement
A piece by Manuel Gustavo Bordallo Pinheiro
The sardine, with its silvery blue and black hues, darker on the back and lighter on the sides and belly, is found in the northeast Atlantic and the
Mediterranean Sea, where it dwells on coastal areas, between 25 and 100 meters deep.
It undertakes migrations in large shoals that protect fish
from predators during the day, in deeper waters, and move at night-time to shallower waters
to feed on algae and small crustaceans.
It reproduces from October to April, a time when sardines
are leaner and not so tasty.
The sardine is the most popular fish in summer festivals and fairs in Portugal, as well as the main species used in the
Portuguese canning industry.
A model by Raphael Bordallo Pinheiro.
The toothpick holder with a double use decorative/utilitarian was an object very common during the 19th century.
Raphael Bordallo Pinheiro designs a collection of animal toothpick holders with the naturalist characteristics of Bordallo’s ceramic.